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In the decades preceding WWII, hundreds of thousands of Italians flocked to our shores in hopes of starting new lives in a land that promised freedom and opportunity. They immigrated through the Great Hall of Ellis Island, in the shadow of the Statue of Liberty, and spilled out into the streets of New York City and beyond in anticipation of a kind of renaissance. LAmerica follows the journey of three families who board the Santa Ana in 1915 through the ports of Palermo and Naples. For thirteen days, they share brutal passage in steerage. But the voyage is only the beginning of their trials. Eventually, they settle in New York City, Cleveland, and Monterey, California. Immigration in the early twentieth century was difficult at best. But assimilation proved an even greater challenge. The confused and frightened Italians in America is embodied in the lives of Giuseppe Mosca, Also Grimaldi, and Paolo Lachimia, as they make their way in a world in conflict with their heritage. In the first book, Adagio con Fear, they will endure the harsh reality of discrimination, World War, generational conflict, socialism, anarchism, facism, Carlo Tresca, and Sacco and Vanzetti. In the second book, Adagio con Promise, the story will continue as their descendants face the complexities of Mussolini, enemy alien labels, West Coast relocation, and even internment. In the end, however, this is not simply a story of survival. The children of the three families who made that voyage in 1915, though very different in experience and response, will return to us volumes of fortitude, character, and culture, ultimately establishing their place in the tapestry they once called LAmerica.This book will be seen on film soon as a miniseries.
After reading Orazi’s L’America, I found myself reflecting on what it must have been like for those passengers in steerage on the Santa Ana more than 100 years ago. A fetid swamp in a dour situation compounded by fear and depression. What it must have been like to go through the inhumane and chaotic “processing” at Ellis Island. And I can only imagine the fear of the unknown, the hopelessness. The stress of arriving in a strange land wondering where their next meal would come from, whether or not they would find family or friends in this unknown land that held many possibilities, but no solid promises. They say survival is the strongest instinct, but how many of us have been pushed to such limits? Although these three families were fictional, their stories only make me wonder what reality must have been like. It’s the essence of writing historical fiction – make the reader think.Tackling historical fiction takes much more than strong writing skills and perseverance; it requires tireless research to mine the available material to obtain and present the facts of the specific era (check); it requires a deep passion for the subject matter (check); and lastly; a combination of imagination and creative writing to craft the story with believable (and unforgettable) characters (check). Orazi achieves high marks on all three. I understand the book took ten years to complete. I’m guessing research took the bulk of those ten years. Then, there was the character building (the three families), and their back stories. This is where I believe the author’s passion for the subject matter was inspirational in pushing him through the dreaded “writer’s block” days.