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Here in one volume is the biggest and best collection of Pound’s poetry (excepting his long poem The Cantos) and translations ever assembled. Ranging from the text of the handmade first collection Hilda’s Book (a gift to the poet H.D.) to his late translations of Horace, and containing dozens of items previously unavailable, Poems and Translations reveals the diversity and richness of a body of work marked by daring invention and resonant music. In such early volumes as Ripostes, Cathay, Lustra, and Hugh Selwyn Mauberley—as surely as in his later magisterial versions of The Confucian Odes and the Sophoclean dramas Women of Trachis and Elektra—Pound followed his own directive to “make it new,” opening fresh formal pathways while exploring the most ancient traditions. Before, during, and after the controversies and catastrophes of his public career (culminating in his long residence in a Washington mental hospital while under indictment for treason), Pound remained capable of rare technical brilliance and indelible lyricism.Here are the lush early lyrics, echoing Browning and the Troubadours; the chiseled free verse of such masterpieces as “The Return,” “Near Perigord,” and “Homage to Sextus Propertius”; the dazzling translations that led Eliot to call Pound “the inventor of Chinese poetry for our time.” The Chinese verse translations are supplemented by Pound’s versions of the Confucian prose texts—The Analects, The Great Digest, and The Unwobbling Pivot—which he saw as crucial to his literary aims. An extensive chronology offers guidance to Pound’s tumultuous life, and detailed notes clarify the many recondite allusions.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Not long ago English Departments were busy with dissertation after dissertation on Ezra Pound. At the time, many complained of a Pound Factory or Pound Industry. Yet today, there is not one Amazon review of this important collection of modern poetry. We all know the charges against Pound, anti-American, Anti-Semite, etc... and there can and should be no justification for any of the truly ugly things that he said and believed. If I am not mistaken, though, Richard Wagner is once again being played without challenge. I suspect that it has to do with the unfortunate fact that he produced works of amazing genius. Though I am no fan of Wagner or his music and despise his and Pound's racism, I do feel it necessary to acknowlege his place within the realm of modern/romantic music and/or the history of opera. Pound was, though we may not like the fact, a poet of genius who mentored Joyce, Eliot, Hemingway, Frost, Lowell, and yes even Yeats. He is an important bridge from modernism back to the Edwardian and Victorian poets. We ignore him and his works of genius at our own loss.The Library of America edition has brought together many individual works of Pound from the Personna to his verse translations from the Chinese (in a manner of speaking). They have provided a significant service to Arts and Letters in this country by filling in this gape in their catalogue. This work contains all of Pound's poetry excluding the Cantos. Dig in deep, open this work anywhere and discover Pound afresh. You will see why A.S. Byatt considered using Pound's verse for her masterful, Possessions. As he said of Eliot, "Read him."